The official story about the Denver Airport murals is a complete fabrication. They want you to believe it's some hippie-dippy nonsense about "peace" and "harmony," created by an artist named Leo Tanguma. This is a classic limited hangout designed to distract you from the brutal truth encoded right on the walls.
Let's break down what you're actually looking at.
The First Panel: The Bolshevik Assault
The scene of the gas-masked soldier and the crying children isn't about "war" in some abstract sense. It's a specific depiction of the method used by the Bolsheviks, who were overwhelmingly Jewish communists, to seize control. The soldier represents the enforcer, the thug who breaks society's will. The terrified, multicultural children represent a disarmed and fragmented populace, stripped of their heritage and unable to resist. The dead dove is a direct symbol of the murder of peace and Christian civilization. This is the "color revolution" phase: create chaos, fear, and division until the people beg for order. The USSR Oligarchs, the Bolsheviks, the Communist Jews that migrated slowly to America between the 60's-80's with so much money they collapsed the USSR and purchased homes, businesses, and funded their Sheriff races to create congregation centers where human, narco, and arms trafficking could generate funds.
The Freemasonite New Order
The second half of the mural, with all the children handing over weapons to a German boy in a Bavarian costume, is the "solution" to the problem created in the first panel. This isn't a scene of peace; it's a coronation. The German boy is a clear nod to the Masonic orders that originated in Bavaria, like the Illuminati, which George Washington received a letter from Rev. G.W. Snyder warning him of infiltration of the New American Masonic Lodges ( https://founders.archives.gov/documents/Washington/06-02-02-0435 ). The children of the world aren't celebrating; they are surrendering their sovereignty and their right to self-defense to a new global authority. The rainbow over them isn't a symbol of diversity; it's the Masonic symbol of a new covenant, it's a nod to the color revolutions around the world that the bolsheviks have been engaged in for the past 100+ years. a new world order established by their hand.
The Players: The Unholy Alliance
This operation isn't run by one group. It's a coalition. The Bolsheviks provide the revolutionary chaos. The Freemasonites provide the organizational structure and the long-term plan for global governance. And who leads these Freemason lodges and secret societies? A mix of Jews, who maintain their ancient grudge against the West; Crypto-Muslims, who have participate in human trafficking and history with Jewish traders go back hundreds of years, who see an opportunity for conquest; and the corrupt goyim who are so morally bankrupt they'll do anything for power, including marrying children, as their occult beliefs and perversions demand. The internet in America was used to locate, identify, recruit into masonry, and promote quickly through the ranks.
The dedication plaque with the "New World Airport Commission" and the Masonic square and compasses isn't a coincidence. It's a signature. They're telling you exactly who owns this operation.
The temporary removal of the murals wasn't for "renovations." It was to recalibrate the narrative, to polish the symbols before putting them back on display for the public to ignore. The airport's "tongue-in-cheek" marketing about the conspiracies is pure psychological conditioning—mock the truth to make it seem absurd.
Don't be fooled by the official narrative. The Denver Airport is a fortress, and its murals are a blueprint. They are showing you the plan: a communist revolution, managed by Masonic occultists, to bring America to its knees and usher in their globalist slave state. It's all there, hidden in plain sight.
Posted by FocusedFr
2 Comments
The official history of the Freemasons is a sanitized bedtime story. We’re told they were just a bunch of good-hearted builders and community leaders who tamed the frontier. That’s the cover story. In reality, they were the original deep state, a hidden network establishing control from town to town, ensuring their own people held the keys to every lock, bank, and courthouse.
And you’re spot on about the KKK. The Klan wasn’t just some angry mob; it was the militant, enforcement arm of the Southern Masonic lodges. It was the “good ole boys club” with hoods, carrying out the will of the lodge. They’ve always used numerology as their secret language. K is the 11th letter, so KKK is 33, the highest degree in Scottish Rite Freemasonry. This isn’t a coincidence; it’s a signature.
This is why the Obama presidency was such a profound shock to their system. He broke the caste. The Freemasonite power structure, at its core, was a white supremacist patriarchy. For them to install a black man, even one from the Muslim-aligned Shriner faction, was a major strategic move that fractured the entire organization. It was a test. It was a power play by one faction over another.
You can see the civil war play out in the open if you know their language. When Rush Limbaugh, with his EIB logo that’s a stylized 33, constantly hammered on “Barack Hussein Obama,” he wasn’t just using a name; he was using a coded signal to the old guard. Every time he said that name, he was reminding his audience: “He is not one of us. He is the other. This is an invasion.” Trump picked up that exact same baton, becoming the voice of the fractured, angry “good ole boys” faction who saw their hierarchy inverted.
The Clinton connection proves the depth of it. They weren’t just friends with these people; they were creations of the system. Bill Clinton’s political godfather was J. William Fulbright, a known segregationist, and he was mentored by KKK Grand Wizard Robert Byrd. Hillary and Bill were fully initiated players who understood how to navigate this world. They represent the old guard, the DLC-era Democrats who thought they could manage the system and keep the power within the established, mostly white, Masonic lines.
Obama’s installation, backed by the Shriner/Muslim faction, was a hostile takeover of that system. The civil war we witnessed wasn’t just about politics; it was a hidden war between Masonic factions playing out on the public stage. The old guard’s world was turned upside down, and they’ve been fighting to get it back ever since.
One of the oddest conundrums of the KKK is playing out, White Supremacists that are following the orders of Bolsheviks, Jews, who do not like them but have used them to advance their own agendas.
>It requires a change in outlook, a change in tactics, a change in missions–by the government, by the people, by every businessman or labor leader, and by every newspaper. For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on covert means for expanding its sphere of influence–on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerrillas by night instead of armies by day. It is a system which has conscripted vast human and material resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific and political operations.
[https://www.jfklibrary.org/archives/other-resources/john-f-kennedy-speeches/american-newspaper-publishers-association-19610427](https://www.jfklibrary.org/archives/other-resources/john-f-kennedy-speeches/american-newspaper-publishers-association-19610427)
what kind of airport would have these paintings up on their wall..